FUZZ - Satan's Fans 7" (1981) France
Les Productions Amicalement Vôtre – 8101.0201
320 kbps
01. Satan's Fans
02. Renonce Pas!
Gilles Mardirossian - Vocals & Bass
Norbert "Nono" Mardirossian - Guitar
Ted - Guitar
Jeannot - Drums
FUZZ were a French Hard Rock/Heavy Metal band formed in Marseille in 1979 by the 16 year old Mardirossian brothers (Norbert "Nono" on guitar and Gilles on bass and vocals).
Adding Jeannot on drums, they came up with the band name and began rehearsing; mixing cover versions with the original numbers they soon started to write.
The band expanded to become a quartet at this point, but the second guitar slot proved hard to fill initially with a few different players coming and going.
During this time the band began to play live in the Marseille area, honing their craft on the stage in front of growing audiences.
They also managed to aquire a lyricist, with Alain Le Diabat matching his words to the band's music.
With permanent guitarist Ted now completing the band, 1980 saw the band record a few tracks in the studio.
The songs turned out well enough for Les Productions Amicalement Vôtre to offer Fuzz a deal to put out a 7".
The single, comprising "Satan's Fans" and "Renonce Pas!", was issued in 1981, with the band being presented at the Disk '81 expo in Cannes where they were feted by the hip press as a major discovery.
As the toast of the town, the rest of the festival passed in a blur of cocktails, photo shoots and TV interviews.
Heading back to Marseille on a high, the group went back to work and set off on tour.
Their Cannes experience led Fuzz to believe that they were on the verge of a big breakthrough, but despite touring throughout 1982, they were no further forward by the year's end.
In 1983, a disillusioned Fuzz split up, leaving that lone 45 as their only legacy.
But what a record it is, a primitive, scratchy, fuzzed-up, MOTORHEAD-channelling gem, all snotty attitude and clumsy Motor City inspired dynamics.
A triumph of cranked up amphetamine fuelled ambition, unhindered by lofty ideas like finesse or subtlety.
The B-Side is slightly more musical, like a basement Acca Dacca on glue and gallic laissez-faire, with the amps set to induce nose bleeds..
The record's picture sleeve shows the band members in stinky denim and leather looking glazed and lost atop a wrecked silver Rolls Royce.
It's just perfect in it's thrown together style, and tells you exactly what to expect from the record's filthy grooves.
Car-crash Rawk et Roll.
Formidable!
art et text included
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