The two songs I've heard so far from that record are power/progressive metal, nothing thrash, nothing overly technocratic about them. They seem to be good though, so if I have space for Vauxdvihil in my collection, I have space for them.ION BRITTON wrote:The ''Power thrash'' term is correct, although this particular album leans more towards ''power''. Still recommended.Korgüll wrote: & also if you can find it: 'TARAMIS - Stretch Of The Imagination'! Great technical power thrash from Australia... a bit like Watchtower!?
Correct.Sieges Even: Well, only the debut fits the description of technothrash.
This has been discussed a lot since 1989. It is of course very close to Watchtower, somewhere between Energetic and Control and Resistance, which makes sense chronologically. However it's extremely well-done a record (besides the vocals, which are at best an aquired taste) and therefore is elevated from knockoff to true masterpiece through sheer talent, application and balls. It takes balls to compose and perform that record. Still one of my favourites, and vastly superior to Energetic, looks eye to eye to Control and Resistance, and as far as THRASH goes, wins.However, it's my least favorite of their first three (and best) albums, more like a Watchtower rip-off, not much originality in any department.
Noisenik, I agree with your points about technothrash generally, though I wouldn't include Voivod in that list (Voivod for me play Voivod music. They were never very technical, and their futurism is distinctively unlike the technocratic malevolence lyrical topics most of the other technothrash bands delt with). The second Watchtower record is progressive metal by that point, though it does bear its roots as thrash. They are included honorarily in the genere since uh, they um, created it, but really Control and Resistance is as much - musically, not conceptually - a thrash record as Psychotic Waltz's 'A Social Grace'.
I'll look into all the other bands you mentioned! I never knew Acid Reign had anything to do with the genre.